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Grateful Dead Live at Jai-Alai Fronton on 1974-06-22




Set 1: Promised Land, Bertha > Greatest Story Ever Told, Deal, Me And Bobby McGee, Scarlet Begonias, Jack Straw, Loose Lucy, Mexicali Blues, Sugaree, The Race is On, It Must Have Been The Roses, Playing In The Band

Set 2: China Cat Sunflower > I Know You Rider, Me & My Uncle, Ship of Fools, El Paso, Eyes Of The World > Wharf Rat > Sugar Magnolia

E: Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Date June 22, 1974
Venue Jai-Alai Fronton
Location Miami, FL

Source SBD (shnid 90200) + AUD (SHNID 105825)
Lineage (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)
Transferred by Hunter Seamons


Notes

SBD transferred by Charlie Miller
AUD recorded by Jerry Moore and transferred by Rob Berger

Reviews

Reviewer: timjuckmann - - February 5, 2014
Subject: styles upon styles
At about the 14:00 mark during "Playing in the Band" it suddenly sounds like Miles Davis' early 70's funk period. A few minutes later it sounds like Pink Floyd circa "Ummagumma."

"bound to cover just a little more ground" indeed.

Very strong show.
Reviewer: Sedula - - March 11, 2010
Subject: Great Show
This is a great show, but unfortunately it will always be overshadowed by the other night at the Jai-alai fronton (the Dark Star-->Spanish Jam-->US Blues night). Only extended jams this night were on Playin' and Eyes, but the song selection was very good.
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PEOPLE ALSO FOUND
Grateful Dead
by Grateful Dead
254
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
Grateful Dead
by Grateful Dead
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
410
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Source: Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
Grateful Dead
by Grateful Dead
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Grateful Dead
by Grateful Dead
444
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Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
Grateful Dead
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1,261
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Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board.
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by Grateful Dead
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Source: Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
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Source: Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer;
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Source: Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - master analog cassettes;
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Source: Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty